bubun

bubun is a jewelry duo formed by Megumi Jin and Nobuyuki Jin in 2016. Working with colorless, transparent glass, they explore jewelry as something that exists at the boundary between the body and the surrounding space. Alongside sculptural approaches rooted in the techniques of glass craft, their own method of “weaving glass” has allowed them to gradually reconsider the possibilities of glass jewelry. Their work seeks to gently shift the relationship between body and space, opening new connections across that boundary.



Megumi JIN + Nobuyuki JIN
1978 Born in Kanagawa, Japan
Born in Okayama, Japan 1983
2002 B.A. in Design, Tokyo University of the Arts, Tokyo
2004 M.A. in Design, Tokyo University of the Arts, Tokyo
B.A. in Craft (Glass),Tama Art University, Tokyo 2006
2016
Started making jewelry together under the name 'bubun'



Solo Exhibition
2019
CONTINUUM, gallery deux poissons, Tokyo, Japan
2024
BLUR, gallery deux poissons, Tokyo, Japan

Art Fair
2019
ART FAIR TOKYO 2019, Tokyo International Forum, Japan
2021
ART FAIR TOKYO 2021, Tokyo International Forum, Japan




The name bubun, which literally means “part,” symbolically expresses our enduring interest in parts. It points to the detail within jewelry, jewelry on the body, the body within the universe, and also to the memories evoked by adornment and the fleeting moments that unfold in a life lived with it. In this sense, it does not refer to any single part, but to every kind of “part” across all scales and spans, from the micro to the macro, from the past to the future. We are drawn to parts when they reveal an autonomous beauty without being sacrificed to what is called the whole, and when, in harmony with their surroundings, they acquire a new beauty on a larger scale. At the same time, by focusing on the parts that make up a beautiful domain, one can continue to discover new forms of beauty, one after another. Through our work, we hope to create pieces that can become one point of departure for this continuous process of discovering and acquiring beauty through leaps from part to part. We also hope that, in every sense of the word, each piece may become a “part” of the person who wears it.